案例名称:
成都·释月森林度假酒店
案例风格:
东方美学
面积范围:
2000+
房屋位置:
成都龙泉山
空间格局:
套房
设计理念:
行至水穷处,坐看云起时

释玥森林-茶水松涛的禅宗美学与山居遁世的东方情怀

Shi Yue forest-The Zen aesthetics of tea and the Oriental feelings of the mountains

“行到水穷处,坐看云起时。”

—王维


遍观三千大千世界,觅一寸俯仰自得的太玄之境;游心案牍劳形费神,穷一回游目骋怀的视听之娱;置身搅扰喧嚣尘网,试一次俯瞰和抽离。自细碎中归隐,于山野间过慢生活。以禅定默悟的东方哲学为混沌浮世注入空性气魄,回归山居遁世的东方情怀,释玥森林度假酒店设计从自然中提取美学符号和核心元素,以不计工拙、不为物累的超然心态,打造出这份安顿身心与灵魂的艺术作品。

Take a glimpse of the world and try to overlook and leave. From the small retreat, in the mountains between the slow life. With the Oriental philosophy of meditation and enlightenment injecting empty spirit into the chaotic floating world and returning to the Oriental feelings of the mountains, the design of Shiyue Forest Resort extracts aesthetic symbols and core elements from nature, and creates this art work that settles the body and soul with the mentality of ignorance and fatigue.


遁入云蒸霞蔚之山海,听涛声澎湃、群鸟号鸣,在天地嗷嗷不息之声中瞥然醒悟,开展一场不受打扰的自我观照,直彻心源。释玥森林致力于为寻求自在澄明的居客呈现东方古典“得意忘言”的意境美学,构筑一片远离车马喧嚣而充盈自在雅趣的世外桃源。

In the mountains of the clouds and clouds, listen to the sound of the waves, the sound of birds, in the sound of heaven and earth, to carry out an undisturbed self-observation, straight to the heart. Shi Yue Forest is committed to seeking free and clear residents to present the Oriental classical "complacent" artistic conception aesthetics, to build a paradise away from the noise of cars and horses and full of comfortable elegance.


一、东方禅意的当代表达:天、地、人之共生

The contemporary expression of Oriental Zen: the symbiosis of heaven, earth and man


“熔炼后的东方美学,是当代的,也是未来的。”

"The refined Oriental aesthetics is both contemporary and in the future.”

在这片遗世独立的建筑中,释玥森林的度假美学是对禅和意的追求,所希冀建构的东方美学度假生活,是具有当代审美和当代居住意义的中国式风雅。因此,唯有找到当代与传统的平衡点,兼具审美价值和人文关怀,才能予当下及未来的来访者,构建一个具有灵气的、无限生长的精神空间。

In this independent building, Shi Yue Forest's vacation aesthetics is the pursuit of Zen and meaning, and the Oriental aesthetic vacation life expected to construct is a Chinese style of elegance with contemporary aesthetic appreciation and contemporary living significance. Therefore, only by finding the balance between contemporary and traditional, with both aesthetic value and humanistic care, can we give the present and future visitors and build a spiritual space with aura and infinite growth.

禅意设计旨在探求物相的本质,因其追求纯粹,所以没有赘余;因其自然圆满,所以无需对立。释玥森林本着“合于天造”的设计理念,依山取境,追求纯粹的山水之乐与当代人居所要求的功能性和便利性,使来访者缱绻于回归自然的、人文的、可与精神对话的当代美学空间中,徜徉度假。

Zen design aims to explore the nature of objects, because of its purity and its natural perfection. In line with the design concept of "made in heaven", Shi Yue Forest pursues the pursuit of the joy of landscape and the functionality and convenience of contemporary people's residence, so that visitors are immersed in the contemporary aesthetic space that returns to nature, humanity and dialogue with the spirit, and enjoy on vacation.

香炉与茶具、书画与琴笛被作为中国古典文化意象被安放在简洁素朴的空间之中,一桌一椅、一画一器共同谱写含蓄内敛、精巧雅致的东方意韵,千般色相中方寸皆景,自有限的空间内组织景物,达到无限深远的审美意境,于澹泊中明志,宁静中致远,正是对“静故了群动,空故纳万境”理想境界的描绘。己宽、不二、了然、云来、知止…基于中国美学不同的文化属性,赋予每个空间不同的精神和文化表达,其命名蕴纳着深刻丰富的文化涵义和无限隽永的解读空间。

Incenburner and tea set, painting and calligraphy and the flute as the Chinese classical culture image is placed in simple and simple space, a table, a chair, a painting together compose implicative inside collect, exquisite, elegant Oriental meaning, thousands of color scene, from the limited space organization scenery, achieve infinite profound aesthetic artistic conception, in Dan Bo Ming, quiet zhiyuan, it is the "static group, empty m" ideal state. Based on the different cultural attributes of Chinese aesthetics, each space is endowed with different spiritual and cultural expressions, and its name contains profound and rich cultural meaning and infinite and meaningful interpretation space.

在东方哲思与当代空间的交融碰撞中,释玥森林回归对自然和个体的尊敬,免于陷入懈怠的怀旧气氛,和忧愁的文艺感,从而创造出令人感到“活在当下”的室内设计语言,完成了东方禅意的当代表达。

In the blending and collision of Oriental philosophy and contemporary space, Shi Yue Forest returns to the respect for nature and individuals, avoiding falling into a slack nostalgic atmosphere and a sad sense of literature and art, thus creating an interior design language that makes people feel "living in the present", and completing the contemporary expression of Oriental Zen.